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Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם,

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Figure majeure du mouvement romantique, le britannique William Blake (1757-1827) fut à la fois peintre, dessinateur, graveur et poète. L'artiste s'attachant à illustrer lui-même son OEuvre littéraire, les textes de Blake se développent suivant les lignes de ses gravures et dessins hallucinés, et deviennent, dès lors, de véritables enluminures. Inspiré des thèmes bibliques et prophétiques (Proverbes de l'Enfer, L'Évangile éternel, Les Portes du Paradis, etc.), l'art de Blake mélange subtilement la modernité de son époque et de la révolution romantique avec le classicisme des thèmes qu'il explor

Artists --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם,

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Manuscripts, English --- Facsimiles --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Manuscripts --- Facsimiles. --- Notebooks, sketchbooks, etc.

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Following in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history."--Pub. desc "Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work.

ART / Criticism. --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation.

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This book examines four of Blake's works that use a consistent fourfold imagery and structure based on the four ""zoas"", or aspects of Albion. Luvah as the zoa of ""god"" is the state of imgaination in England. Urthona as the zoa of ""body"" is the physical state of England. Urizen as the zoa of ""soul"" is the intellectual state of the people of England, and Tharmas as the zoa of ""world"" is the state of England's relationship to other countries.

Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation.